Chris Castrogiovanni, M.Arch. candidate, leaned in as he carefully fit together 70-year-old metal rods, or struts, from one of the first large-scale, self-supporting geodesic domes in the world and the first in North America.
The dome had been in storage since being gifted to the Smithsonian in the 1970s. At 2,000 square feet, and 49 feet wide by 25 feet high, the building is slightly smaller than today鈥檚 average U.S. home.
Originally built in Montreal in 1950 and later rebuilt in the Hollywood Hills as a home for architect Bernard Judge, the structure was reconstructed inside the iconic Flag Hall of the National Museum of American History, July 5 to 7, through a partnership between the museum and 蜜桃社鈥檚 School of Architecture and Planning.
Nearly a year earlier Abeer Saha, curator with the museum鈥檚 Division of Work and Industry, contacted Tonya Ohnstad, assistant professor of architecture and associate dean for graduate studies, with a rare opportunity for students to engage hands-on with a historic artifact. The result was the exhibit 鈥淩econstructing Weatherbreak: Geodesic Domes in an Age of Extreme Weather.鈥
Inspired by the theories of inventor and futurist Buckminster Fuller, architect Jeffrey Lindsay had designed Weatherbreak as a lightweight, stable structure that could resist extreme environmental weather, including winds up to 200 miles per hour.
Saha hoped the reconstruction would 鈥渃onvey that historical artifacts can inform our search for sustainable solutions in an age of climate change 鈥 at a time when more than 24 million people are displaced by extreme weather events worldwide each year.鈥
Ohnstad created a yearlong course around the reconstruction, overseeing student work with Lorenzo Cardim DeAlmeida, fabrication manager for the architecture school.
She also forged partnerships with Norsk Hydro, Architectural Systems, Inc., and DSI Spaceframes, companies that donated recycled aluminum and fabrication to replicate missing or broken parts, as well as a team from Washington University. Consigli Construction contributed financially.
鈥淲orking with iconic American objects like Weatherbreak is an honor. To bring it back to life in three dimensions so the public can understand its scale and the space it creates is humbling. Accessing this piece of history as a learning tool is a premier learning experience,鈥 Ohnstad said.